Showing posts with label Martha Copeland. Show all posts
Showing posts with label Martha Copeland. Show all posts

Friday, November 14, 2025

Porter Grainger gets a music festival!!!!!!!!!!!!!!!!

Legendary (and forgotten) songwriter of "Dyin' Crapshooters Blues," "Ain't Nobody's Biz-ness If I Do," "Song From A Cottonfield," "One Hour Mama," and many others, finally receives attention.

Porter Grainger is one of the central characters in my book, an exploration into the origins of the song “St. James Infirmary.” My research entailed a deep plunge, and I came to consider Grainger as a force whose contributions to popular music have been so underrated that I wondered if this was more a racial than a musical, bias. There was so little interest in him that, until I looked into it, both the dates and places of his birth and death were unknown.

Now, in 2025, we know that Porter Grainger was born in 1891 (seven years, for instance, before George Gershwin) that he died in 1948 (eleven years after George Gershwin). Bits and pieces of his life come into view, but they quickly fade due to lack of interest. One has to be alert in order to catch and document them.

This recognition of Grainger is past due. Thanks to the folk in Grainger’s birthplace of Bowling Green for bringing deserved attention to this artist who has been an invisible cornerstone in the development of American popular music.

Politics do not define us. Popular Culture is our essential reference. That is who we are, or who we aspire to be. Porter Grainger, even with the myriad mysteries that envelop his biography, remains a subterranean contributor to our sense of continuity, or even community. Resurrecting that bit of our popular history helps us put together the pieces that both define and unite us.

Porter Grainger and Bob Dylan and the Great American Songbook and ruminations of all sorts, musical or not, coalesce into a culture which we all recognize as WE … our concern for the well-being of everybody and everything.

Porter Grainger, as so many songwriters before and after him, revealed the illusions imposed by the powers of the time.

Here, as an example, is his Songs From A Cottonfield, pretty adventurous for a black composer in 1927.

Grainger wrote hundreds of songs. This is his most famous.

     

You can find the original, 1925, recordings on YouTube. There were three of them that year, no others until Blind Willie McTell. The first featured Martha Copeland.



Thursday, February 2, 2012

MP3 Monologue 5 - Dyin' Crapshooter's Blues

Readers of earlier posts will recall that, over two years ago, I had agreed to record a number of commentaries on "St. James Infirmary" for inclusion in a possible United States radio show about the song. The show did not materialize, and so I am posting those commentaries, or "monologues," here. This is the fifth installment.

In this monologue we hear a bit of the original "Dyin' Crapshooter's Blues," recorded in 1927 by Martha Copeland. The main emphasis, though, is on two people: Blind Willie McTell, who always claimed he had composed the song, and Porter Grainger who actually did. There is, of course, a close relationship between "Dyin' Crapshooter's Blues" and "St. James Infirmary" (and, more recently, Bob Dylan's song "Blind Willie McTell").

To listen (about five minutes, at 256 kbps)) click here: "Dyin' Crapshooter's Blues" MP3.
Inquiries into the early years of SJI