The Silliness of On-line Book Sales

It can be an odd experience, trying to sell books online.

Cover of current edition

Here's an example: We at Harland Press offer I Went Down to St. James Infirmary through our own website, through this blog, and through Amazon.com.
Via this blog, the cost outside Canada is $29.50 (including postage). On Amazon, the cost for the book alone is $35.00 - but, because of Amazon's percentage, plus the cost of mailing the book to them, and their annual fees, we actually lose money with each sale. Still, what point is there in writing a book if it can't be read?

We attempted to post the book on Canada's Amazon site (we live and publish/print the book in Canada), but the process was too onerous. So you can't find it there ... unless you are willing to buy from secondary sellers for up to $210. That's just silly.

Cover of previous edition

Things get more interesting. The first edition of the book (2008) is no longer available. The current second edition is a complete rewrite; it is longer, it is more accurate, it has greater depth, and it contains both a subject and a song index. Still, the earlier editions are for sale on the Web at sometimes extraordinary prices. Today, I could purchase an out-of-date copy via a secondary Amazon seller, if I was willing to shell out up to $1,057. (Plus $3.99 shipping.) That's right, $1,060.99!
If you look for it on Abe's books, it will only cost you $180. (For those interested, we have a few leftover copies, and will sell them for even less. ; ) )

First iteration of the book

But there's more. In 2004 I wrote a precursor to I Went Down to St. James Infirmary called A Rake's Progress. The title referred to both the song "An Unfortunate Rake," which depicted the death of a soldier from syphilis, and William Hogarth's series of eight eighteenth century paintings, "A Rake's Progress," which illustrated the moral and physical decline of a wastrel. Ultimately, the title was meant to signify the evolution - or progress - of the song "An Unfortunate Rake" as it transitioned into "St. James Infirmary." A Rake's Progress was based upon current knowledge. But I soon discovered that current knowledge was awry, was the crystallization of erroneous assumptions. The story was utterly wrong. The tale had to be retold.

We printed fewer than a hundred copies of A Rake's Progress - none of which can be found on the Web, at any price. I still have a few copies. But, you know, I hope nobody is interested in them.

Irving Mills sings (with Jack Pettis And His Pets) 1928

Irving Mills

Correspondent Beverly Mills Keys sent a link to a song in which Irving Mills is the vocalist. Historically, of course, Mills was not known as a singer - although he did contribute to a few recordings, including some by Duke Ellington. Mills is better remembered as an entrepreneur who managed many artists in the 1920s and 1930s, including Duke Ellington and Cab Calloway. In the realm of the song St. James Infirmary, of course, he was - as Joe Primrose - an alleged composer.

Therein lies another story.

Irving Mills is a central character in my tale of St. James Infirmary. So it is good to actually hear his voice.

Jack Pettis

Below is the YouTube video Beverly Mills Keys sent to me, a 1928 recording by Jack Pettis and His Pets. For this song Irving Mills assumed the pseudonym of Erwin McGee. In other records he sang as Sonny Smith, Goody Goodwin, and so on. The pseudonyms were sometimes necessary, as he often recorded with predominantly black musicians; racially mixed performing groups could be, uhm, difficult in those times. (Mills, to his credit, was one of the first to record racially integrated bands.)

Pettis, though, was Caucasian, as were the members of his bands; an innovative saxophonist, he recorded occasionally with Mills' "Hotsy Totsy Gang" alongside such youngsters as Tommy Dorsey, Benny Goodman, Jack Teagarden, Gene Krupa ...  all soon to become among the biggest names in jazz/pop music. Mills had an uncanny way of recognizing talent.

You can read more about Jack Pettis here.

It is likely that Mills was managing Pettis when this record was made. "Baby" was written by two of Mills' stable of songwriters, early in their careers, Dorothy Fields and Jimmy McHugh. Both were eventually inducted into the songwriters hall of fame.

Mills' vocal comes in at about 58 seconds.

SPOTIFY playlist for I Went Down to St. James Infirmary

Image by author, using sheet music for St. James Infirmary as background

All songs, all things, are connected.

While investigating the history of "St. James Infirmary," many other songs came into view.  Because of this I created a Spotify playlist of some of the songs mentioned in my book, I Went Down to St. James Infirmary. I couldn't find everything, though. Neither Daisey Tapley nor Florence Cole-Talbert are in the list. Aside from two or three women who were part of choirs, these were the first two black women to appear in recordings (1910 and 1919). I was able to include the first recorded solo black man (also, probably, the first solo male recording artist) - George W. Johnson with "The Laughing Coon" (c. 1894). Unfortunately, his first tune, "The Whistling Coon" (1891) is not on Spotify.

Neither are any of the songs by Carl Moore, aka "The Squeakin' Deacon." Moore was the first person, in 1924, to claim co-writing credit for SJI. From Arkansas, he adopted the persona of a hillbilly hick while fronting a smooth, swinging jazz orchestra. He recorded four catchy songs, but none of them migrated beyond their original 78 rpm discs. The only place you will find them today is on this site - enter "Carl Moore mp3" into the search box.

So far I have included 55 songs on the SJI playlist. You can hear Irving Mills introducing Duke Ellington at the Cotton Club on "Cotton Club Stomp." The Hokum Boys with their lost versions of "Gambler's Blues/St. James Infirmary." Gene Austin and "My Blue Heaven" (the best-selling song of all time ... until Bing Crosby's "White Christmas") - as well as his take on SJI. Bessie Smith. Blind Willie McTell's "Dyin' Crapshooter's Blues." Bob Dylan's "Blind Willie McTell." Cab Calloway. Alphonso Trent's 1930 SJI tantrum. Sophie Tucker. Hank Williams. Ward-Bergeman's 2011 gypsy version of SJI. Jimmie Rodgers. Victoria Spivey's 1926 "Black Snake Blues."

I shall add more from the book's song index as time goes on.

If you have a Spotify account, look for "I Went Down to St. James Infirmary" in the playlists, and enjoy.

"A Sparkling Book"

The Phil Baxter moustache

Musician and film-maker Digger recently read I Went Down to St. James Infirmary. Here is part of his reaction, referencing characters and places that appear in the book. Thanks to author Gordon Bailey for forwarding this to me.

"This book makes me want to be at the El Torreon Ball Room dancing the Foxtrot with Irene Castle followed by a late date with Valadia Snow at the Noble Hotel where in the background I hear Don Redman's "Chant of the Weed." Mr. Harwood opened up so many musical alleys to explore. A sparkling book! One of the side-effects of this book is that I now sport a Phil Baxter moustache."

The Hot 8 Brass Band (and SJI)

Image from the Hot 8 website http://www.hot8brassband.com/

The Hot 8 Brass Band is a New Orleans staple. They have been playing for twenty years, and have stayed together through tragedies that include Hurricane Katrina, and the shooting deaths of four band-mates. They made their first recording in 2007, and have recently released their fourth album ... which includes a dynamic interpretation of "St. James Infirmary."

The Hot 8 Brass Band have embarked on a European tour which will take them to Germany, France, The Netherlands, Switzerland, Poland, and the U.K.

There is something special about The Hot 8 Brass Band. You can hear/see this special musicality in the video below.

(YouTube videos on this blog lose the edges, for some reason - double-click to see it in its full size ... or click here.)

The Original Sheet Music for SJI???

This, to the left, is the generic cover of the 1929 sheet music for "St. James Infirmary." The cover was designed so that a performer's image could be inserted without breaking the flow, as in the next picture. In those days images had to be set physically - that is, with an editor's hands placing the components in place. And so it was important for the Mills organization - and everybody else - to create flexible background images.

This is the first music score ever released for "St. James Infirmary." In the same year Mills Music (aka Gotham Music Service) also released an orchestral arrangement for SJI (which you can find elsewhere on this blog - search "sheet music"). The Mills music machine was fully engaged. The song had been subsumed.

Ahhh. But while it's the first music score for "St. James Infirmary," the sheet music for "Gambler's Blues," an earlier title for the song, had been printed four years earlier. The composer credits were to, not Joe Primrose, but Phil Baxter and Carl Moore. I wrote a bit about it here: The Golden Grail - you'll find more in the book.

"St. James Infirmary" aka "Gambler's Blues" had been around for many years before being taken into a recording studio. There were a ton of variations. There were many verses. The song, chameleon-like, changed its colour for the environment it stumbled into. The sheet music below, the first of its kind, gives us a taste of the song. But the song was more than this. It assumed many shapes; there were many versions.

This was just one of them.