New Orleans - 2 variations on St. James Infirmary

After the tragic event on January 1st, 2025, it seemed appropriate to post a couple of performances - each with its distinct flavour - of a song closely related to the city of New Orleans. St. James Infirmary.

Pam and I stayed with friends in NOLA a few years ago. We heard the song played everywhere; in small jazz venues, on street corners, and in food venues such as the Cafe du Monde, all in the French quarter. A grand time was had by all. It was the Jazz Festival. Streets were crowded, everyone was smiling.

First, is an award-winning Canadian band, living on a small island off the west coast, Blue Moon Marquee. Exceptionally talented, their take on St. James Infirmary.

Next, New Orleans legend Trombone Shorty. At the Obama White House.

New Orleans will always rise from turmoils visited upon it - whether storms or terror attacks.

Thank you New Orleans!!!

Dee Dee Bridgewater and SJI

Continuing with contemporary approaches to SJI, here are two Dee Dee Bridgewater interpretations of the song.

Bridgewater does some gender-bending in her version. She recorded this on 2015s remarkable Dee Dee's Feathers.

I have included two of her variations. Like jazz (or the blues) her approach to the song allows her musicians to have space. Space. SJI allows space for improvisation and interpretation, and Dee Dee takes advantage of that.

Interview with Debbie Burke re IWDtSJI

Debbie Burke recently interviewed me for her blog, "Debbie Burke - jazz author."

She hosts a remarkable site - I recommend checking it out! Her books can be found via amazon, and on her site.

Since she was the interviewer and I was the interviewee, there's not much I can add, except, of course, for the interview itself. So, for those of you interested in following further, here is the link:

https://debbieburkeauthor.com/2024/01/29/book-review-i-went-down-to-st-james-infirmary-by-robert-w-harwood/

Thank you, Debbie.

Interpretations: St. James Infirmary & Simple Twist Of Fate

Back in September I promised a series of contemporary interpretations of St. James Infirmary. We started with a young Rufus Wainwright. This is the second in that series and you will find two variations this time (plus a delightful interpretation of "Simple Twist of Fate").

First, David Mattson.

David Mattson on guitar

Now living in Largo, Florida, David has lived in all but one of the U.S. states, and a few other countries. He currently uses a Joe Beck alto guitar, made for him by a friend. His interpretation of SJI is a charming reimagining, with the refrain "her left hand brushing back her hair" transforming into a tender conclusion. He would use his rewritten SJI when doing soundchecks, or as an opener for gigs, allowing lots of room for improvisation.

This is a beautiful example of how SJI can be adapted by creative artists; always recognizable, always different.

Raygun Carver

Our second example.

Raygun Carver - a band name for Michael Soiseth - released his first album, "Moon Fields Yawning," in 2020. Raised around Port Angeles, he has an idiosyncratic sound, with refreshing interpretations and beautifully crafted originals. Of the latter, his "Everywhere You Go Is Where You'll Be," suggests that regardless of where we live, regardless of where we move, we remain who we are - changing the place does not change the person. Ahhhh, but maybe, changing the person can change the place?

His take on SJI is invigorating.

And, of course, not only traditional songs are open to interpretation. Raygun Carver's phrasing and timing on Dylan's "Simple Twist of Fate" opens us up for a new listen. (For instance, cue in to Carver's song at about 1:10 - "like a freight train ...")

I am always grateful for fresh air.

Rufus Wainwright does SJI ... or The Unfortunate Rake?

There are so many interpretations of SJI. So many.

I am planning to post a few recent variations, starting with Rufus Wainwright. This song was recorded in 1998, part of his first album but excluded from it and re-introduced on a 25th anniversary CD.

Rufus creates a link between The Unfortunate Rake and SJI. He mixes them together as a kind of gumbo, combining lyrical touches from SJI and Streets of Laredo. Mostly, though, it's The Unfortunate Rake that he references.

The song starts:
"Early one morning at the St. James Infirmary
Early one morning in the month of May
I spied a young cowboy all wrapped in white linen
Wrapped in white linen, and as cold as the clay"

And later:
"Call for the doctor, come and heal my body
Call for the preacher to heal up my soul
For my poor head is aching and my sad heart is breaking
I'm a poor, rundown cowboy and hell is my doom"

Aside from the name of the institution (St. James Infirmary rather than St. James Hospital), this is pretty well The Unfortunate Rake - and nothing in this version, or any other version of The Unfortunate Rake, makes me think of SJI - either lyrically or melodically.

He delivers a good song.

This is not surprising: he is always brightly original, sparkling, in both his own compositions and his interpretations.

https://www.youtube.com/watch?v=Zmx20WwNOtA

Tony Bennett's first recording: St. James Infirmary

Tony Bennett in the U.S. Army, 1945.
(TonyBennett.com)

Tony Bennett, who died today at 96, made his first recording seventy-seven years ago:

After a distinguished career in the army (and a short-lived demotion for eating in a restaurant with a black friend, after which he was put on gravedigging detail), Tony Bennett recorded his first song. This was "St. James Infirmary," made in 1946. The song was on a V-disc, for American troops, and never released in the U.S. George Tannenbaum explains what V-discs are:

"V-discs were recordings done for American soldiers during World War II. Because there was a musicians strike in the U.S. at the time, V-discs were recorded but they never went on sale in the States. They were only for our overseas troops. Most of the records never came home and the masters of the recordings weren't treated with any special reverence. So for years it was rare to get a hold of a V-Disc recording--especially a rare one."

You can read about his army career here.

Bennett became Grandmaster of the Great American Songbook, a superb stylist whose recording history extended from 1952 ("Because of You") to 2021 ("Love for Sale," with Lady Gaga).

We miss you, Tony!

You can listen to the 1946 SJI here:

And here's a more contemporary version, from 1994: