A few years ago, while working on the first iteration of I Went Down to St. James Infirmary (which I had titled A Rake's Progress and of which perhaps a dozen copies are still in existence), I created an illustration that brought together some of the principal characters in the SJI story. Albert Gleizes' 1913 painting "Women Sewing" was the inspiration for the underlying art work; onto this I layered photographs of various SJI personalities, and included myself and my wife (the book's designer) as, I guess, observers of the drama.
So here, in no particular order (the illustration should enlarge if you click on it), you can find Jimmie Rodgers, Porter Grainger, Dan Emmett, Mamie Smith, Irving Mills, Don Redman, Phil Baxter, Louis Armstrong, Duke Ellington, Carl "The Deacon" Moore, Bob Dylan, Bessie Smith, Emmett Miller, and Blind Willie McTell.
Speaking of Blind Willie McTell, he will be (part of) the subject of our next entry.
Tuesday, January 31, 2012
Friday, January 13, 2012
MP3 Monologue 3 & 4 - Charleston Cabin; Mattie Hite
Since I have, so far, received no objections to these monologues, here are the 3rd and the 4th installments of this oral exploration of (some aspects of) St. James Infirmary.
A few years before "St. James Infirmary" entered the recording studio a song with completely different lyrics but using part of the SJI melody was popular. I wrote about this briefly in an earlier post. To listen to a (two minute) discussion of a precursor to the recorded SJI, "In A Charleston Cabin," click here: "Charleston Cabin" MP3
In 1930, within a day of each other, the smooth crooner Gene Austin and the blues singer Mattie Hite both recorded SJI. They borrowed the lyrics from Carl Sandburg's transcript, and each of them seemed to be insisting that the song should be in the public domain. To listen to something about them (three minutes), click here: "Mattie Hite and SJI" MP3
A few years before "St. James Infirmary" entered the recording studio a song with completely different lyrics but using part of the SJI melody was popular. I wrote about this briefly in an earlier post. To listen to a (two minute) discussion of a precursor to the recorded SJI, "In A Charleston Cabin," click here: "Charleston Cabin" MP3
In 1930, within a day of each other, the smooth crooner Gene Austin and the blues singer Mattie Hite both recorded SJI. They borrowed the lyrics from Carl Sandburg's transcript, and each of them seemed to be insisting that the song should be in the public domain. To listen to something about them (three minutes), click here: "Mattie Hite and SJI" MP3
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