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"GIG 365" CD cover by Kate Mayfield |
Okay. After that last entry we're back on the SJI track. This one is important.
When I was a young lad, a very young lad, in Belfast, I remember looking out
the window of a double-decker bus at the people walking on the sidewalk, and being astonished at the notion that every single one of those people
were as aware of their own existence as I was of mine - and yet, none of us could sense or deeply feel each others' realities. This is one of the
memories that has haunted me through my life
Now, here we are in 2013, fifty-five years later. Michael
Ward-Bergeman has recorded a selection of songs he performed during a
year in which he pledged (to himself) to perform publicly at least once every
day. I sit at my desk with headphones on and I feel as if I am listening to those people on the
Belfast sidewalk.
In 2011 master accordionist Michael Ward-Bergeman undertook a "GIG 365," in which he vowed to play at least one gig a day for 365 days. He performed throughout North America, in Europe, and in Venezuela, often on the streets. He recorded many of these moments, including conversations with spectators; some of these are available on his blog
GIG 365.
Michael has just released a CD of a few of these performances (and conversations). I can say that the first question one might ask oneself after listening is, "What a pity he did not include more selections!" Because this CD is a marvel. AND, to make it even better, it contains a six minute interpretation of "St. James Infirmary," recorded with a gypsy band in Bucharest (cimbalom, violin, clarinet, saxophone, bass, and a second accordion). More about that a little later.
He's a difficult fellow to keep track of, is Michael Ward-Bergeman. While a charter member of the roots music trio
Groanbox, he also performs with symphony orchestras, writes classical compositions, has been contracted to write a piece for the
Silk Road Ensemble, and performs wherever the opportunity arises, from the back streets of New Orleans to the concert halls of America and Europe. He wields an accordion like Jimi Hendrix wielded his guitar, like Wilhelm Kempff played his piano. And – as the CD "GIG 365" will attest – he is able to adapt to just about any music genre and make it sound as if he was born to play it. One example from this CD is the song "Mississippi," which he wrote (and sings), but which could belong to a post-Stephen-Foster world of American roots music. This is one song on the album that features the percussionist Jamie Haddad, and Haddad's performances are as much a revelation as are those of Ward-Bergeman's accordion. That is, Ward-Bergeman has teamed up with some remarkable musicians on his travels, and you can hear the sharp focus of their collaborations. This is magical stuff.
But this site's primary concern is "St. James Infirmary," so let me focus my attention there.
Michael wrote to me that "when I started doing 'St. James' I always felt there was a gypsy music connection both spirit and music wise." In earlier postings I have included YouTube videos of the
Groanbox trio performing
"St. James Infirmary" as well as a song that Ward-Bergeman wrote, based upon SJI, called
"Darling Lou." Both are dazzling performances.
And now, on this GIG 365 undertaking, Ward-Bergeman has added another dimension to a song that continues to offer itself to us in surprising ways
I listen to this, and I am back on that Belfast bus, looking out at the people strolling on the sidewalks as we drive past. This time, though, it is different. I can hear them, I can almost touch them, almost understand them. The music on this CD communicates such a sense of collaboration, such a sense of us all that it starts to dissolve the boundaries that separate us. One cannot help but wonder at the mystery of our lives.
Here, then, is a real treat. At 6:38 and 256 kbps (anything of a lower resolution would be sacrilege) is Michael Ward-Bergeman and friends with
"St. James Infirmary" MP3 - the gypsy version.
The CD can be purchased here:
amazon.ca
amazon.com
emusic.com
As well as on iTunes, and elsewhere.