Showing posts with label Don Redman. Show all posts
Showing posts with label Don Redman. Show all posts

Friday, December 15, 2017

"A Sparkling Book"

The Phil Baxter moustache
Musician and film-maker Digger recently read I Went Down to St. James Infirmary. Here is part of his reaction, referencing characters and places that appear in the book. Thanks to author Gordon Bailey for forwarding this to me.

"This book makes me want to be at the El Torreon Ball Room dancing the Foxtrot with Irene Castle followed by a late date with Valadia Snow at the Noble Hotel where in the background I hear Don Redman's "Chant of the Weed." Mr. Harwood opened up so many musical alleys to explore. A sparkling book! One of the side-effects of this book is that I now sport a Phil Baxter moustache."

Sunday, December 23, 2012

MP3 Monologue 9 - Don Redman (part 2)

This is the second part of a monologue about Don Redman. The first part can be found here: MP3 Monologue 8.

In this episode, it is 1928 and Don Redman is about to travel to Chicago to help (as both an arranger and an instrumentalist) Louis Armstrong record a few songs. At a local ballroom he hears Al Katz and his band perform St. James Infirmary and . . .

To listen to this monologue (about 3 minutes) click here: Don Redman Part 2 MP3

Friday, August 10, 2012

MP3 Monologue 8 - Don Redman (part 1)


The St. James Infirmary we know would not have been possible without Don Redman. And, it would not have been possible without the dance called the Foxtrot.

Don Redman, now almost forgotten, was among the most important of influences on American popular music. In the next Monologue we shall hear how Redman, about to leave for Chicago to help Louis Armstrong record some songs, encountered the "St. James Infirmary" that he then arranged for Armstrong's 1928 recording. For now, though, here is a little background information on Redman himself.

It might be interesting to note that, in this monologue, I made mention of a band called "McKinney's Cotton Pickers" (which Don Redman took over after leaving the employ of Fletcher Henderson) . . . here, you can see how black bands, even in the 1920s and 1930s, were being advertised. Dem ol slaves jus a pickin cotton. Even Duke Ellington, when recording under a pseudonym for Irving Mills, adopted names like "The Ten Blackberries." Even so, "McKinney's Cotton Pickers" were one of the most popular bands of the era.

To listen to this monologue (about 3 minutes) click here: Don Redman Part 1 MP3

Tuesday, January 31, 2012

An Illustration

A few years ago, while working on the first iteration of I Went Down to St. James Infirmary (which I had titled A Rake's Progress and of which perhaps a dozen copies are still in existence), I  created an illustration that brought together some of the principal characters in the SJI story. Albert Gleizes' 1913 painting "Women Sewing" was the inspiration for the underlying art work; onto this I layered photographs of various SJI personalities, and included myself and my wife (the book's designer) as, I guess, observers of the drama.

So here, in no particular order (the illustration should enlarge if you click on it), you can find Jimmie Rodgers, Porter Grainger, Dan Emmett, Mamie Smith, Irving Mills, Don Redman, Phil Baxter, Louis Armstrong, Duke Ellington, Carl "The Deacon" Moore, Bob Dylan, Bessie Smith, Emmett Miller, and Blind Willie McTell.

Speaking of Blind Willie McTell, he will be (part of) the subject of our next entry.

Monday, April 6, 2009

Carl "Deacon" Moore - "A Woman Gets Tired" mp3 - and Margie Moore turns 93!


A recent photograph of Marjorie Moore, with her daughter Carol

As readers of this blog, or of the book, know - Carl Moore was credited as co-composer of "Gambler's Blues" when it was recorded by Fess Williams in 1927. "Gambler's Blues" would soon become known as "St. James Infirmary" - and credit for authorship would change; first to Don Redman, and then to Joe Primrose.

But Carl Moore (along with Phil Baxter) was the first of these. He is one of the most interesting of the characters that I explore in
I Went Down to St. James Infirmary. After many years as a big band leader - and dapper, tuxedoed, comical hillbilly hick - he became one of the first (and one of the most popular) country music djs. Although he retired in 1969, Dave Sichak's website Hillbilly-Music dawt com announced that in 2008 Carl "Squeakin' Deacon" Moore had the most visited page of the many disk jockeys the site features.

Carl Moore was born in Paragould, Arkansas in 1902. He died in
Huntington Beach, California, in 1985. I telephoned his wife, the lovely Margie Moore, a few days ago. She celebrated her 93rd birthday this past weekend!

Happy Birthday Marjorie!!

In celebration of Margie's birthday, I am posting the fourth - and last - song of Carl's complete recorded output. Much of Carl's inspiration came from the vaudeville and minstrel stages, and this song - written by Paul Carter and C.H. Barker (who are today as obscure as songwriters can get) - was popular on vaudeville. Deacon drawls, the orchestra swings.

To hear this song, click on: "A Woman Gets Tired" MP3. Be warned that a few seconds in it might sound like the recording skips a beat. I edited the file a bit in order to removed a loud click.

Saturday, January 17, 2009

My interview with Rob Walker on NOnotes

Well, the NOnotes interview has now been posted - in five parts!

The first part can be found here - mostly discussing "Dyin Crapshooter's Blues"
The second part can be found here - regarding AL Lloyd, John and Alan Lomax, The Unfortunate Rake, Iron Head Baker, Leadbelly . . .
The third part can be found here - regarding how Redman brought the song to Armstrong in Chicago
The fourth part can be found here - legal issues and early recordings
The fifth part can be found here - "St. James Infirmary" goes to court

Rob is, to put it mildly, an SJI enthusiast. His questions were probing, a challenge and a delight to answer.

If you are among the few who find this sort of stuff interesting, there's more in the book!

Saturday, December 13, 2008

SJI and The Wonderful World of Louis Armstrong

Here's a very interesting (and long) essay about Louis Armstrong and his versions of "St. James Infirmary." I accidentally bumped into this blog on my way elsewhere. I'm flattered that this gentleman, Ricky Riccardi, refers to this humble site - and excited about the information he provides. Among the treats to be found here is a radio broadcast in which you can listen to Louis talk about Don Redman, Jack Teagarden, and "St. James Infirmary."

All this is a prelude to Mr. Riccardi's upcoming (2010) book about Armstrong's later years. Sounds like it will be well worth keeping an eye open for.
Inquiries into the early years of SJI