Inquiries into the early years of SJI

Saturday, January 10, 2009

Emmett Miller - clarinet-voiced singer of Lovesick Blues

The first song Irving Mills was credited with writing was "Lovesick Blues." First recorded in 1922, Emmett Miller's 1928 version gave it the shape we recognize today - thanks, that is, to Hank Williams' 1949 rendition.

When Miller's record was released, though, it was the flip side, "I Ain't Got Nobody," that received most of the airplay. The poster below is advertising another record Miller released at about the same time, "A Thousand Frogs Sitting on a Log." You might think that's an odd song title, and you'd be right; this was a comedy skit based on the topic of elocution. According to Nick Tosches in his book about Miller, "Where Dead Voices Gather," the skit served as a running gag throughout his stage show. From a newspaper article quoted by Tosches: "Early in the evening the Interlocutor attempted to recite something about a 'thousand frogs on a log.' Instantly Emmett was growling in disgust, 'Can't get no thousand frogs on no log ...' Finally, the mention of 'a thousand frogs on a log' was sufficient almost to throw the audience into paroxysms of laughter."

Here, from a North Carolina Newspaper, is a 1928 advertisement for the thousand frogs. You can hear this performance via a download at the website "Western Swing on 78." That download will actually net 23 Miller recordings, about half his total output. The other half can be found here. Among these recordings, by the way, are both the 1925 and the 1928 versions of "Lovesick Blues." The earlier one, with piano accompaniment only, had long been assumed lost. This earlier version of the song sounds unformed to me - as if Miller had not yet imposed his own stamp on it.

Six of those MP3 files yield "The OKeh Medicine Show" - about eighteen minutes of a recorded recreation of medicine show skits and music, in which Miller is but one of the performers. Others included Fiddlin' John Carson, his daughter Moonshine Kate, and Frank Hutchison (a slide-guitar playing, blues singing ex-miner who recorded 32 song between 1929 and 1932). As you can see, Miller was the featured personality in an advertisement for the record.












3 comments:

punder said...

Thanks so much for this post. I found the Emmett Miller version of "Lovesick Blues" on an album called "American Yodeling," and I'm crazy about it.
I never heard of him before and appreciate the info here. Great images.
Sorry I don't know anything about St. James Infirmary.
Best wishes for your continued success.
Priscilla

Robert W. Harwood said...

Thanks for your comment, Priscilla. Emmett Miller became one of the cast of characters in my book, and I also found him fascinating. The main contemporary source on Miller is Nick Tosches' "Where Dead Voices Gather." Tosches explores minstrelsy and American popular music through his biography of Miller; I'm pretty sure Tosches had a lot to do with Miller's resurgence into some sort of public consciousness.

Anonymous said...

Great stuff here! I might point out what is appears to be a error in the add for "The Funniest Records Ever Made". The add seems as if it's for Okeh 40976, in which the side is Brother Bill, not Sweet William and Bad Bill in New York. The latter is also a minstrel skit, but not recorded by Miller to my knowledge.
On another note, I have what are to my knowledge not one but two unpublished (at least not since they were in newsprint {and as such are poor quality} in 1926 from where I happily gleaned them) photo's of Miller. They are part of two gorgeous adds for Miller engagements in Asheville, NC as cited in Where Dead Voices Gather. If anyone wants a digital copy, I can be reached at woofledust@gmail.com. Maybe these are indeed floating around but I've only seen them on micro-film.